{"id":205187,"date":"2018-03-29T11:28:52","date_gmt":"2018-03-29T09:28:52","guid":{"rendered":"https:\/\/www.teosanjose.es\/?p=205187"},"modified":"2023-09-11T18:40:03","modified_gmt":"2023-09-11T16:40:03","slug":"escultura-monumental-compromiso-respeto-espacio-publico","status":"publish","type":"post","link":"https:\/\/teosanjose.es\/escultura-monumental-compromiso-respeto-espacio-publico\/","title":{"rendered":"Escultura monumental: compromiso de respeto con el espacio p\u00fablico"},"content":{"rendered":"
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We opened this space for dialogue with a reflection on one of the aspects of sculpture that have the greatest impact in society;<\/span> the monumental public sculpture.<\/span> We are all used to seeing sculptures, more or less large, in our squares and cities;<\/span> Few times these works fill us so much that we want to see them again and again, we usually learn their forms and they become a memory.<\/span> A large sculpture is not monumental, they are two different concepts.<\/span> Michelangelo’s sculptures are monumental, the latest sculptures by Henry Moore or A. Calder are monumental.<\/span> All of them generate a presence in their environment, an impact;<\/span> They are a symbol, they are more than decorative or aesthetic elements.<\/span> I think this is the reflection that every sculptor should do.<\/span><\/span><\/p>\n