{"id":205187,"date":"2018-03-29T11:28:52","date_gmt":"2018-03-29T09:28:52","guid":{"rendered":"https:\/\/www.teosanjose.es\/?p=205187"},"modified":"2023-09-11T18:40:03","modified_gmt":"2023-09-11T16:40:03","slug":"escultura-monumental-compromiso-respeto-espacio-publico","status":"publish","type":"post","link":"https:\/\/teosanjose.es\/escultura-monumental-compromiso-respeto-espacio-publico\/","title":{"rendered":"Escultura monumental: compromiso de respeto con el espacio p\u00fablico"},"content":{"rendered":"

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The Impact of Monumental Sculpture<\/h2>\n

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We opened this space for dialogue with a reflection on one of the aspects of sculpture that have the greatest impact in society;<\/span> the monumental public sculpture.<\/span> We are all used to seeing sculptures, more or less large, in our squares and cities;<\/span> Few times these works fill us so much that we want to see them again and again, we usually learn their forms and they become a memory.<\/span> A large sculpture is not monumental, they are two different concepts.<\/span> Michelangelo’s sculptures are monumental, the latest sculptures by Henry Moore or A. Calder are monumental.<\/span> All of them generate a presence in their environment, an impact;<\/span> They are a symbol, they are more than decorative or aesthetic elements.<\/span> I think this is the reflection that every sculptor should do.<\/span><\/span><\/p>\n

Ver Portafolio<\/a><\/p>\n

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The Impact of Monumental Sculpture   We opened this space for dialogue with a reflection on one of the aspects of sculpture that have the greatest impact in society; the monumental public sculpture. We are all used to seeing sculptures, more or less large, in our squares and cities; Few times these works fill us […]<\/p>\n","protected":false},"author":2,"featured_media":205188,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"

The Impact of Monumental Sculpture<\/h2>\r\n \r\n\r\nWe opened this space for dialogue with a reflection on one of the aspects of sculpture that have the greatest impact in society;<\/span> the monumental public sculpture.<\/span> We are all used to seeing sculptures, more or less large, in our squares and cities;<\/span> Few times these works fill us so much that we want to see them again and again, we usually learn their forms and they become a memory.<\/span> A large sculpture is not monumental, they are two different concepts.<\/span> Michelangelo's sculptures are monumental, the latest sculptures by Henry Moore or A. Calder are monumental.<\/span> All of them generate a presence in their environment, an impact;<\/span> They are a symbol, they are more than decorative or aesthetic elements.<\/span> I think this is the reflection that every sculptor should do.<\/span><\/span>\r\n

[button link=\"https:\/\/issuu.com\/revistamidinero\/docs\/dossier_teo_san_jose__\" type=\"big\" color=\"red\" newwindow=\"yes\"] Ver Portafolio[\/button]<\/p>","_et_gb_content_width":"","footnotes":""},"categories":[64,6,8,7,43],"tags":[],"yoast_head":"\nEscultura monumental: compromiso de respeto con el espacio p\u00fablico - Teo San Jose<\/title>\n<meta name=\"description\" content=\"We opened this space for dialogue with a reflection on one of the aspects of sculpture that have the greatest impact in society; the monumental public sculpture. 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